Mia Dunn is a Japanese American painter and fiber artist based in New York. Her work draws from traditional Japanese influences such as nihonga painting and monyō (文様), the timeless geometric and botanical patterns that have been integral to Japanese art for centuries. Combining these elements with contemporary techniques, Dunn explores themes of girlhood, home, and the fluidity of identity, reflecting on how different environments shape and transform us.

Born in Japan and shaped by a multicultural upbringing and frequent relocations, Dunn’s artistic perspective is deeply rooted in her personal experiences. Her background in chemical engineering from Johns Hopkins University informs her meticulous attention to detail, innovative use of diverse mediums, and passion for sustainable materials, such as biomaterials and bioplastics. While in college, she developed a starch based biodegradable plastic, which she used to design compostable accessories. Dunn’s work is distinguished by her use of vibrant, bold colors in oils and acrylics, as well as her incorporation of upcycled fibers and silks into textured wall hangings—highlighting her dedication to sustainability.

Dunn’s use of fiber art in this exhibition allows her to explore texture, softness, and warmth—qualities that evoke a sense of comfort and the feeling of home. This softness is intentionally contrasted with the bold, angular lines and striking colors in her work. Her work also incorporates silhouettes inspired by traditional Japanese motifs, such as kyo-sensu (Kyoto folding fans). Historically used as tools for communication and artistic expression, these fans add layers of cultural significance and visual depth to her creations.

Dunn’s art bridges Japanese and Western influences, offering a unique lens into her identity. Her work has been featured in group exhibitions across New York City, including Future Fair, Loft Projects, SlowBurn, and Maven Art House. She is currently based in her Tribeca studio.